The perfect manner and irresistible attractiveness of St Catherine of Siena
By Algar Thorold | 30 April 2025

From the introduction of Thorold’s 1906 translation of The Dialogues of St Catherine of Siena.
Midway between sky and earth hangs a City Beautiful: Siena, Vetus Civitas Virginis. The town seems to have descended as a bride from airy regions, and lightly settled on the summits of three hills which it crowns with domes and clustering towers.
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Here, on 5 March 1347, being Palm Sunday, was born Caterina, who still lives one of the purest glories of the Christian Church under the name of St Catherine of Siena. More than 500 years have passed since the daughter of [a] Siennese dyer entered into the rest of that sublime and touching symbolism under which the Church half veils and half reveals her teaching as to the destiny of man. … St Catherine was born at the same time as a twin-sister, who did not survive. Her parents, Giacomo and Lapa Benincasa, were simple townspeople, prosperous, and apparently deserving their reputation for piety. Lapa, the daughter of one Mucio Piagenti, a now wholly forgotten poet, bore twenty-five children to her husband, of whom thirteen only appear to have grown up. This large family lived together in the manner still obtaining in Italy, in the little house, till the death of Giacomo in 1368.
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At the age of five it was her custom on the staircase to kneel and repeat a “Hail Mary” at each step, a devotion so pleasing to the angels, that they would frequently carry her up or down without letting her feet touch the ground, much to the alarm of her mother, who confided to Father Raymond of Capua, the Dominican confessor of the family, her fears of an accident. Nor were these phenomena the only reward of her infant piety. From the day that she could walk she became very popular among her numerous relatives and her parents’ friends, who gave her the pet name of Euphrosyne, to signify the grief-dispelling effect of her conversation, and who were constantly inviting her to their houses on some pretext or other. Sent one morning on an errand to the house of her married sister Bonaventura, she was favoured with a beautiful vision which, as it has an important symbolical bearing on the great task of her afterlife, I will relate in Father Raymond’s words, slightly abridging their prolixity.
“So it happened that Catherine, being arrived at the age of six, went one day with her brother Stephen, who was a little older than herself, to the house of their sister Bonaventura, who was married to one Niccolo, as has been mentioned above, in order to carry something or give some message from their mother Lapa. Their mother’s errand accomplished, while they were on the way back from their sister’s house to their own and were passing along a certain valley, called by the people Valle Piatta, the holy child, lifting her eyes, saw on the opposite side above the Church of the Preaching Friars a most beautiful room, adorned with regal magnificence, in which was seated, on an imperial throne, Jesus Christ, the Saviour of the world, clothed in pontifical vestments, and wearing on His head a papal tiara; with Him were the princes of the Apostles, Peter and Paul, and the holy evangelist John. Astounded at such a sight, Catherine stood still, and with fixed and immovable look, gazed, full of love, on her Saviour, who, appearing in so marvellous a manner, in order sweetly to gain her love to Himself, fixed on her the eyes of His Majesty, and, with a tender smile, lifted over her His right hand, and, making the Sign of the Holy Cross in the manner of a bishop, left with her the gift of His eternal benediction …’
Such was the “call” of Saint Catherine of Siena, and, to a mind intent on mystical significance, the appearance of Christ, in the semblance of His Vicar, may fitly appear to symbolise the great mission of her afterlife to the Holy See.
Much might be said of the action of Catherine on her generation. Few individuals perhaps have ever led so active a life or have succeeded in leaving so remarkable an imprint of their personality on the events of their time. Catherine the Peacemaker reconciles warring factions of her native city and heals an international feud between Florence and the Holy See. Catherine the Consoler pours the balm of her gentle spirit into the lacerated souls of the suffering wherever she finds them, in the condemned cell or in the hospital ward. She is one of the most voluminous of letter-writers, keeping up a constant correspondence with a band of disciples, male and female, all over Italy, and last, but not least, with the distant Pope at Avignon.
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[B]y the effect of her eloquence in persuading the wavering will of the Pope to return to his See, [she was] to bring about what was, for the moment, the only possible solution of that Roman question, which, hanging perpetually round the skirts of the Bride of Christ, seems at every step to impede her victorious advance.
Nevertheless, it is neither the intrinsic importance nor the social consequences of her actions that constitute the true greatness of Saint Catherine. … She intuitively perceived life under the highest possible forms, the forms of beauty and love. Truth and Goodness were, she thought, means for the achievement of those two supreme ends. The sheer beauty of the soul “in a state of Grace” is a point on which she constantly dwells, hanging it as a bait before those whom she would induce to turn from evil. Similarly the ugliness of sin, as much as its wickedness, should warn us of its true nature. Love, that love of man for man which, in deepest truth, is, in the words of the writer of the First Epistle of Saint John, God Himself, is, at once, the highest achievement of man and his supreme and satisfying beatitude. The Symbols of Catholic theology were to her the necessary and fitting means of transit, so to speak. See, in the following pages, the fine allegory of the Bridge of the Sacred Humanity, of the soul in via on its dusty pilgrimage toward those gleaming heights of vision. “Truth” was to her the handmaid of the spiritualised imagination, not, as too often in these days of the twilight of the soul, its tyrant and its gaoler. Many of those who pass lives of unremitting preoccupation with the problems of truth and goodness are wearied and cumbered with much serving. We honour them, and rightly; but if they have nothing but this to offer us, our hearts do not run to meet them, as they fly to the embrace of those rare souls who inhabit a serener, more pellucid atmosphere. Among these spirits of the air, Saint Catherine has taken a permanent and foremost place. She is among the few guides of humanity who have the perfect manner, the irresistible attractiveness, of that positive purity of heart, which not only sees God, but diffuses Him, as by some natural law of refraction, over the hearts of men. The divine nuptials, about which the mystics tell us so much, have been accomplished in her, nature and grace have lain down together, and the mysteries of her religion seem but the natural expression of a perfectly balanced character, an unquenchable love and a deathless will.
St Catherine of Siena, pray for us.